Fibber McGee and Molly McGee, the classic radio comedy duo of “Fibber McGee and Molly”.

“Fibber McGee and Molly” – How the Golden Age of Radio Made Johnson a Household Name 

The “Fibber McGee and Molly” radio comedy provided laughs for millions of Americans, while introducing them to SC Johnson.

What is the fastest way into consumers’ homes and hearts? In the 1930s and ‘40s, it was through their radio.
When he was only 28 years old, H.F. Johnson, Jr.’s father died and he found himself President of a $5 million company. Three hundred people were counting on him for continuing employment. While many people might simply have tried not to rock the boat, this third-generation leader of SC Johnson had bigger ideas. 
Long before many companies discovered national advertising as the wave of the future, SC Johnson sponsored the popular radio programme, “Fibber McGee and Molly.” In its heyday of the 1930s and ‘40s, the long-running radio hit reached up to 20 million listeners a week and helped make us a household name.
Building trust with your audience is a lot like building a new friendship. You open a conversation. Put your best foot forward. And, sharing a laugh never hurts. As far back as 1888 – just two years after the founding of SC Johnson – we had already begun experimenting with advertising to reach new families.
Johnson’s Prepared Wax vintage ad from 1898
Our first magazine advertisement appeared in Century magazine and touted the company’s parquet flooring. By 1925, the advertising budget was nearly a million dollars, focusing on full-colour pages in magazines like Ladies’ Home Journal, Women’s Home Companion, McCalls and Good Housekeeping. 
But it was during the golden age of radio that things really took off.
“Fibber McGee and Molly” Radio Broadcast 
Hear “Fibber McGee and Molly,” the SC Johnson-sponsored hit radio programme that provided laughs and comfort to millions of Americans.
Our introduction to radio began in 1931, sponsoring one of the most popular bands of the era, the Ted Weems Orchestra. Next came the “Johnson’s Daily Radio Guide,” a 10-minute daily programme of household hints. 
Then in 1934, two executives heard about a local programme on Chicago’s NBC station called “Smackout.” It featured real-life married couple Marion and Jim Jordan. 
Jack Louis, brother-in-law to H.F. and the company’s advertising counsel, and William Connolly, then public relations vice president, liked what they heard. William described hearing, “a quality in the voices of the players, a warmth and feeling of home, which was refreshing.” 
Adding writer Don Quinn, the “Fibber McGee and Molly” show began development. This prime-time situation comedy followed the adventures of a working-class couple — the perpetual storyteller Fibber McGee and his wife Molly. Most of the episodes took place in their home in Wistful Vista.
Eleven stations signed on the first year, and it went on to become one of the most popular shows in radio’s heyday. The show’s announcer, Harlow Wilcox, would expertly weave in an ad for Johnson’s Wax, earning him the nickname Waxy and ensuring the company held a welcome place in the hearts of listeners around the country. 
SC Johnson sponsored “Fibber McGee and Molly” for 15 years, introducing families to many of our products including one of our greatest early successes. Glo-Coat™ self-polishing floor wax launched in 1932, and was a key focus of the radio programme’s ads. With the Great Depression under way, few companies were spending advertising dollars to support new products. But H.F. believed that if a product was truly superior, it could thrive even in the most difficult economic times.
He was right. Through a combination of product performance, advertising and sheer perseverance, Glo-Coat™ went on to become a beloved brand in millions of homes around the country. Its success helped keep the business healthy and enabled the company to keep its U.S. staff employed throughout the Depression. 
Through the war years, too, both the company and its advertising connected with families, sharing how our products were making a difference and encouraging listeners to support the war effort. Back home, we held jobs for those who served.
Radio ultimately gave way to television, with SC Johnson once again at the forefront, sponsoring shows like “The Mickey Mouse Club” and “The Red Skelton Show.” But the ultimate lessons of the “Fibber McGee and Molly” show remained: Reaching consumers in their homes is a way to reach their hearts. And, there’s little more powerful than a good laugh.

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