A drawing of the 1964 SC Johnson Pavilion that premièred the Academy Award-winning documentary “To Be Alive!”

H.F. Johnson, Jr.’s Brave Decision Turned a World’s Fair Exhibit into a Testament to Optimism and Progress

At the 1964 World's Fair, SC Johnson’s Golden Rondelle Theatre and film To Be Alive! inspired millions. 
In a time of political and social upheaval, H.F. Johnson, Jr. had a vision he wanted the world to see.
Throughout his career, third-generation company leader H.F. Johnson, Jr., championed creative ways to reach consumers and build the company’s reputation. Even more important, he pursued them with an uncommon boldness.
So, it’s no surprise that it was H.F. who launched the early radio advertising that made our company a household name in the 1930s and ‘40s. Or that it was H.F. who formed an enduring relationship with Frank Lloyd Wright that produced the architectural treasures on our global headquarters campus.
It was H.F., too, who led the company’s participation in the arts, from ART:USA, the Johnson Collection of Contemporary American Painting, to our Academy Award-winning film To Be Alive! 
My father was a creative sort… Sometimes he provided fine ideas. Perhaps more important, he could arecognise good ideas.
Sam Johnson on his father, third-generation leader H.F. Johnson, Jr.
When the company began its plans for the 1964 World’s Fair, one might have expected a traditional sort of exhibit in an industrial hall. That’s what companies did in those days. They used the fair to show off their products.
But H.F. had a different idea. He wanted to build a totally unique pavilion, and to show in it a totally unique film that would add value to the world. 
His son, Sam Johnson, explained: “My father was a creative sort. He was trained as a chemist, but he was well-rounded; he had cultural and artistic sensitivities. Sometimes he provided fine ideas. Perhaps more important, he could arecognise good ideas. Moreover, he challenged other people's creativity.”
The World’s Fair was no exception.
Model of the 1964 Johnson Wax Pavilion at the World’s Fair
H.F. commissioned Lippincott & Margulies, the firm that created the company’s “double diamond” symbol, to design the Johnson Wax Pavilion for the 1964 World’s Fair.
Of course, SC Johnson’s World’s Fair pavilion would speak to the company and its products. Exhibits would ultimately include an "International Showcase of Beautiful Floors" with flooring and Johnson products from around the globe, and a presentation about how we were diversifying into new fields and innovations. 

A bank of automatic shoe shine machines beckoned visitors for a free shine. Computer-operated teletype machines answered even the toughest home care problems, with solutions and product suggestions.

But, though exceptional, those were not what made SC Johnson’s exhibit unique. It was the pavilion itself – our “Golden Rondelle” – and the magnificent film inside it that made SC Johnson the talk of the fair.
TOP : Hosts at the SC Johnson Pavilion were from all over the world and spoke multiple languages to welcome foreign visitors. 
BOTTOM : The unique shape of the SC Johnson Pavilion was as another innovative architectural symbol for the company. 
SC Johnson’s 1964 World’s Fair exhibit showing Johnson Wax products from around the globe
Think about the world in the early 1960s. Political and social upheaval were rampant. People feared nuclear war. A U.S. President was assassinated. The Berlin Wall was rising in Germany. Issues in Vietnam were escalating. And, the battle for civil rights raged throughout America. 

Against that backdrop of pessimism and fear, H.F. wanted to offer a up film that would share a vision of peace, understanding and the joy of being alive. 

It was a pretty unconventional idea, and not one his executive team fully understood. Sam told the story like this: “My father wanted the best documentary film-maker around, just as he had wanted the best architect and landed Frank Lloyd Wright. He found that the film-maker he sought was Francis Thompson.”

“The rest of us had little idea of what had transpired between them. And we were already upset with the basic idea of spending $5 million on the fair. All we knew about the film was that it would be upbeat and would concern life in the United States and abroad.”

But when the team questioned the decision, as company legend goes, H.F. simply looked at them and said, “Gentlemen, some decisions are only for the brave.” And he walked out. 
Nearly two years passed before the draft film was shown to the executive team. The narration and music were still in progress. The film used an unusual format, with three separate screens showing footage simultaneously of life around the world. But, said Sam, “You really could not get much flavour for the film’s tone.” 

The executive team was discouraged, even hesitating to plan a grand opening event. But H.F. was adamant the film would work. 

It did. Sam said, “When the media gathered in the Rondelle for the initial presentation of To Be Alive!, it was a first viewing for all of us. The film practically blew everyone out of the seats. It was perhaps the finest piece of cinematography of its type ever produced.”

And, it drew even more attention to the “small” company in the American Midwest who offered such a remarkable view of the world.
…a most imaginative film and very beautifully done. It shows the world through the children’s eyes, where there is no room for prejudice or arrogance.
Former U.S. President Dwight Eisenhower, on To Be Alive!
When the 18-minute film To Be Alive! premièred at the World’s Fair, critics and audiences alike showered it with praise. Former U.S. President Dwight Eisenhower called it “… a most imaginative film and very beautifully done. It shows the world through the children’s eyes, where there is no room for prejudice or arrogance.”
With its uncommon blend of authenticity, social progress and optimism, the film became one of the most popular exhibits at the fair. Later, it won the 1966 Academy Award for Documentary (Short Subject). It is still shown today, as part of our headquarters campus tours.
Like our partnership with Frank Lloyd Wright, the Carnaúba expedition to Brazil, and countless winning products that helped the company grow, To Be Alive! was yet another example of a brave decision by H.F. 
It was creative, unique, adventurous and inspiring, just like the man who championed it. Some decisions are only for the brave, and SC Johnson was all the better for H.F.’s bravery.

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